I have been working with the idea of amphitheater seating as a jumping off point in my bowls, but now after cutting apart and reassembling these forms I have found another problem. I forgot about the exterior of the bowl. As if it was automatic I finished it like any other bowl; in other words it looks as if the pieces were never separate. So now I have started thinking about different ways in which finish them. Only two ideas have come to mind so far and that is to either keep the seam visible or overlap the edges.
Sunday, September 27, 2009
The entire object
I have been working with the idea of amphitheater seating as a jumping off point in my bowls, but now after cutting apart and reassembling these forms I have found another problem. I forgot about the exterior of the bowl. As if it was automatic I finished it like any other bowl; in other words it looks as if the pieces were never separate. So now I have started thinking about different ways in which finish them. Only two ideas have come to mind so far and that is to either keep the seam visible or overlap the edges.
Sunday, September 20, 2009
Not just spirals anymore
In the past few weeks I have been using spirals for the basis of my designs and recently in a conversation they were referred to as concentric circles. I had an idea of what this meant so just to verify it I looked up images. Not only was this design concentric circles, but also another form I had used several times in the past that was based on a ziggurat. This got me thinking that the spiral is a bit of a narrow subject and I should use the idea of concentric circles as the jumping off point for my work. Although with a bowl I found that it could be difficult to incorporate this idea of the ziggurat so I started to think of seating in amphitheaters which more or less are an inverted ziggurat. Thinking about this has opened a whole new realm of ideas for me.
Sunday, September 13, 2009
Spirals
In the past few weeks I have been focusing on using a spiral faceting technique and so now I have started looking at shells. I am creating this design that occurs naturally in sea shells. I am not trying to make shells but, rather take what interests me the most about them and use it as a design element in my work.
Tuesday, September 8, 2009
My Inpiration
I met him at the age of five on a family vacation which was my first exposure to hand made ceramics.
I always enjoyed the way Brad Schweiger faceted his work and it inspired me to start faceting my own work
When I facet forms I am always thinking about the way rock formations look and I try to imitate this surface
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